Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, discusses the two things you must insist that your record deal contain: a release commitment, and a marketing/promotion budget.
Saturday, February 14, 2009
Two Things That Your Record Deal Absolutely Must Have
Labels:
Maggie Lange,
Record Deals
Subscribe to:
Post Comments (Atom)
About Me
My Headlines
Followers
Join These Communities
 |  |
 |  |
 |  |
 |  |
 |
 |
 |
 |
 |
 |
 |
 |
MEDU NETR
Erge Entertainment
Blog Archive
-
▼
2009
(226)
-
▼
February
(198)
- 10 Tips for Great Musicians
- 10 Essential Tips for Making a Living with Your Music
- Jimmy Iovine on Having a Successful Career in Music
- Jimmy Iovine- Advice for Being a Successful Artist
- Jimmy Iovine- Finding New Artists at Interscope Re...
- Jimmy Iovine- Competing with Free
- Jimmy Iovine- Are Record Companies Really Evil?
- Jimmy Iovine- What Makes a Great Record Producer
- Recommended Reading in Entertainment Law
- Why NY & California Courts Judge Copyright Cases D...
- Why it's Difficult in the USA to Get out of a Cont...
- When Should an Artist Seek Legal Advice?
- Sound Recordings and Works Made for Hire
- What is a "Work for Hire?"
- Why Are Licensing Rates Determined by Law?
- Publishing Deals and Performance Rights Organizations
- The Controlled Composition Clause
- Is New York The Right Place to Start Your Career i...
- Why Should Musicians Copyright Their Songs?
- Want to Know the Future of Music? Look to the Past.
- Q & A Session with Jason Flom, CEO of Capitol Records
- Infinity's Approach to Digital Distribution
- What It Takes to Get Records Into Stores
- The Early History of Copyright and Intellectual Pr...
- Should Copyright Be Perpetual?
- An Introduction to Fancorps.com and Using Street T...
- Kevin Coogan on the Economics of Sheet Music and P...
- The 1909 Copyright Act
- Why Does the Digital Millennium Copyright Act (DMC...
- Why the Future of the Music Industry is Bright... ...
- Using Technology and Todays Music Business to your...
- Maximizing Your Marketing Dollar as an Independent...
- Branding, Fans, and Building a Lasting Music Career
- Pricing Structure and Business Model of an Online ...
- Marketing as a Key Component of Concert Production
- Using Your Marketing Budget Wisely
- What is a Publicist and How Does a Publicity Campa...
- Subscription-Based Music in an Ownership Society
- Using Free Goods to Develop an Unknown Artist at R...
- Examining Where the Industry Went Wrong
- Creating Valuable Commodities in the Digital Age
- Explaining Copyright Term and Fair Use
- Negotiating and Signing a Band Agreement
- Understanding Derivative Works
- Understanding Copyright Law and Exclusive Rights
- What to Expect in a Recording Contract
- What is Work for Hire & How Does it Affect You As ...
- Two Things That Your Record Deal Absolutely Must Have
- Understanding Intellectual Property and Copyright
- The Harry Fox Agency
- Inside the Marketing Department at Warner Bros. Music
- Pro Advice for Film Composers
- File Sharing: Pros and Cons for Independent Artists
- Marketing Your City, Cause or Company at SXSW
- Entertainment Law Tip: Indie Labels May Be Better ...
- Entertainment Law Tip: Getting Signed To A Major R...
- Building Your Career and Clients as an Entertainme...
- What Does an Artist Manager Do?
- What it Takes To Succeed as a Touring Artist
- Alan Ett on Getting Your Career Started
- Universal Music Enterprises
- Getting Airplay
- Working With an Indie Radio Promoter: When to Do it
- Getting Distribution for Your Album as an Independ...
- Managing Contact Information and Your Fan Base
- Getting Your Record in Stores as an Independent Ar...
- Finding and Working with a Publicist
- Running an Integrated Marketing Campaign
- Why Album Art Still Matters
- Music Industry Profile-David Avery of Powderfinger...
- Advice to Entrepreneurs: Trust Your Instincts
- Hiring and Managing Employees
- Knowing When to Go With Your Gut (Instead of the E...
- Balancing the Demands of Work and Family
- Learning When to Say "No" to Money
- Understanding and Setting Expectations
- Steve Schnur on Maximum Music Exposure in Video Games
- Writing Relatable Music with Recording Artist Shan...
- Music Marketing to Generation X and Y with Catheri...
- The Randy Newman Writing Style
- Fred Rosen of Ticketmaster on The Rise of Ticket P...
- Understanding Music Copyrights with Neil Netanel
- Brent Titcomb Gives Advice to New Musicians
- An In Depth Look At How Distributors Work
- Blu Williams on Artist Management
- Blake Budney On The Role Of A Manager
- Neil Portnow on Starting a Career in the Music Ind...
- Band Dynamics with Wayne Kramer from the MC5
- Songwriting Process with Dennis DeYoung of STYX
- Tina Davis A&R Meeting
- Getting Record Label Attention with Chris Blackwell
- A Short Interview with Nettwerk CEO Terry McBride
- Advice for Launching a Successful Entrepreneurial ...
- Copyright and the Right of Public Performance
- SoundExchange, Regulation, and the Future of Inter...
- Music Business: JaWar on SoundExchange
- Music Business: JaWar on Split Sheets
- New Music Business Model Video by JaWar
- How to make the most of music conferences
- Motivational Music Radio Hosted by Ty Cohen & JaWar
-
▼
February
(198)
Copyright © 2009 Fresh Themes Gallery | NdyTeeN. All Rights Reserved. Powered by Blogger and Distributed by Blogtemplate4u .
COMMENTS :
0 comments to “Two Things That Your Record Deal Absolutely Must Have”
Post a Comment