Showing posts with label Maggie Lange. Show all posts
Showing posts with label Maggie Lange. Show all posts

Saturday, February 14, 2009

Explaining Copyright Term and Fair Use

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains how copyright term (that is, the duration for which a work remains under exclusive ownership) works, and sketches out some "fair use" exceptions to the five exclusive rights granted to copyright owners under law.

Negotiating and Signing a Band Agreement

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, discusses what a band agreement is, and why signing a band agreement that sketches out how your group will handle its business, is a good idea for any group which is thinking about getting serious about their commitment to a career in music.

Understanding Derivative Works

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains how the "derivative works" clause of copyright law works in practice by examining the career of "Weird Al" Yankovic.

Understanding Copyright Law and Exclusive Rights

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains the five "exclusive rights" that the law grants to a copyright holder, as well as some of the exceptions and additions that apply to music, such as the compulsory mechanical license and minimum statutory rate clauses.

What to Expect in a Recording Contract

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, describes the major points to be found in a recording contract and what they actually mean for you, the artist, such as: the term of the contract; what your royalty checks will actually contain; and what decisions are taken out of your hands when you sign on the dotted line.

What is Work for Hire & How Does it Affect You As an Artist?

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, discusses the "work for hire" provision of US copyright law, and how it affects -- and does not affect -- sound recordings made under a recording contract.

Two Things That Your Record Deal Absolutely Must Have

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, discusses the two things you must insist that your record deal contain: a release commitment, and a marketing/promotion budget.

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